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Requiem

by Gae Bolg

supported by
bloodbywinter
bloodbywinter thumbnail
bloodbywinter Every new track I fixate on delivers another fantasy to entwine with. I have been listening to Totentanz on repeat for a week, and Pandaemonium is next on the chopping block. Cannot wait to discover more of the artist's discography. Favorite track: Pandaemonium.
theexplodingogre
theexplodingogre thumbnail
theexplodingogre This is a soundscape with a grand swell of Medieval orchestration and choir. It's emotional and intense. Favorite track: Pandaemonium.
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1.
Introit 01:51
2.
Dies Irae 04:12
3.
Lacrymosa 05:50
4.
5.
Choral I 02:37
6.
7.
Choral II 01:38
8.
Hymne 03:14
9.
Choral III 02:51
10.
11.
12.
Totentanz 03:50
13.
Agnus Dei 04:38
14.
Pandaemonium 07:31

about

Eric Roger's mass for the dead

After his musical setting of "Aucassin et Nicolette", a classic work of French literature dating back to 1225, Eric Roger's new album "Requiem" is a purely personal work. As the title suggests, it is a mass for the dead in the traditional meaning of the word. It is dedicated to those of Eric's friends and relatives who passed away in the last three years, thus presenting a subject matter that couldn't be of a more intimate nature. In accordance with this conceptional framework, "Requiem" comes across as a very sacral piece of work, finding a middle ground between serene devotion and desperate beseeching, but without ever regressing to kitsch or meaningless pathos.

Buy at our shop here:

worldwide: en.prophecy.de/artists/gae-bolg
US/Canada: us.prophecy.de/artists/gae-bolg

credits

released May 19, 2006

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all rights reserved

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about

Gae Bolg France

Gaë Bolg is the brand name for the bombastic, martial, and uniquely mediaeval sounds from the forge of French musician Eric Roger, also known as Sol Invictus' former trumpeter. Hymn-like and martial, the music of Gaë Bolg tells us about battles, binges, and heroic deeds in the Middle Ages. ... more

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